Later on it was covered by Etta James and Harvey Fuqua as a duet , and it was popularized in the late 60s by the band Cream. The long A7 at the start sets the stage for the first bar, changing to A minor 7th in the second, introducing a bit of minor … Be Creative, Inspire, and good luck to anybody who uses them, hopefully you find these licks … C. Analysis Of The Famous Blues Lick’s Theory. Melodic Style Blues Licks quantity. steps up to the plate once more with this lick (FIGURE 13) in a King’s Special vein. This page features 250+ classic jazz guitar licks, riffs, and patterns from the biggest names in jazz. The resulting dyad (A–C) provides the 5th and b7th of the IV chord, reinforcing its bluesy, dominant 7th flavor. Blues lick 6 is one of those I-IV-I-V7 turnaround blues licks in the spirit of E.C.’s “Sleepy Time Time” moves. Start with your ring finger, using it for the full-step bend and the repeat of the root (A). Categories: Advanced, Banjo, Intermediate, Skills. Use your index finger for the b3rd (C) and the bend and vibrato'd major 3rd (C#). Often recorded in educators’ home studios, these products present fresh educational concepts and effective teaching methodologies. Take long licks, short licks, parts of a lick, glue one lick after another, etc. Blues and Stomps (Morton, Jelly Roll) Blues comme l'enfer (Letort, Bruno) Blues for Piano and Percussion (Kinadjian, Pascal) Blues for Rodica (Nichifor, Serban) Blues for Simone (Nehls, Ulrich) Blues for Woodwinds (Tang, Elizabeth) Blues In Memory of Jaco Pastorius (Nichifor, Serban) 3 Blues (Allard, Michel) Blues, Op.74 (Fine, Marshall) Make sure that you barre fret 5 with your index finger after the blue note bend at fret 8. Slash is known for having long phrases, so all of the licks seen here will be slightly larger than from the previous guitarists. A lot of blues guitar students make the mistake thinking that they can just transpose licks to play over any chord, but this just sounds horribly wrong. Vibrato the root (A) with your index finger like a hummingbird. Bend up to the 3rd (C#) with your ring finger, holding it while you play the 5th (E) with your pinkie. Whether you look at the blues scale as its own thing or as a minor pentatonic scale with one note added is up to you. This collection of 30 licks will inspire you new ideas using the minor pentatonic scale and multiple keys and in multiple tempos. You’ll find that doing this will strengthen your improvising skills and help to create your own unique sound on the guitar. However, 90% of the time these licks are gonna work great over most typical blues progressions with In any key using Dominant 7th chords. This specific double stop is a must to learn for every guitarist who wants to play blues as it is literally the most used double stop in the whole blues scene. If you listen to blues music you will notice that a lot of classic blues licks return all the time, not as separate licks but they are combined into one bigger lick. You’ll notice that playing both licks after each other won’t sound that great. Learning and assimilating the concepts behind these jazz guitar licks is a great way to improve your improvisational skills and expand your jazz vocabulary. I’ve picked licks that are rock, blues, folk, pop and Hawaiian in style so there’s something for you no matter which style you’re into. King, but credit Jimi Hendrix and his version of Red House with securing it a spot in the Blues Hall of Fame. This lick is used a great deal by just about every blues and rock player. All of the licks that we’ll look at here will be presented in the context of an A major blues. We’re simply playing them in a row, as presented, with a few slight modifications in rhythm. SRV is for many people on of the finest blues players of all time and he has loads of awesome licks that are great to steal and work into your own playing. bass -walking 12 bar blues in E. guitar – 12 bar blues – 2nd position study. Rocking The Blues Jimmy Dillon is something of a Blues legend and this 3 DVD course will really have you play-ing like the Blues greats. This simply means that the accent lays in between the beats and you have to start the lick at the upbeat from beat one. © Low to high, use your index, ring, middle and pinkie fingers on this chord, and don’t ignore that quarter-step bend. Licks are memorable musical phrases that can be strung together to create a solo, fill in behind a vocal phrase or simply spruce up the end of a tune. Slash is known for having long phrases, so all of the licks seen here will be slightly larger than from the previous guitarists. Guitar licks is the classic T-Bone intro to ‘Stormy Monday’ licks it 's really something I can use all the. 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